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One aging husband and wife in Port Arthur, Tasmania, hold that rare privilege. The firm achieved this by installing floor-to-ceiling windows across the entire eastern length of the dwelling, offering a dreamy panorama of the Australian coast. The Lookout House, as the architect dubbed it, gives a whole new meaning to armchair travel.
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Read the full article here. World dinner to highlight our seafood — Brand Tasmania. Our latest project with Developer Zero Nine is now selling! Whitehorse Road, Blackburn, is not only a busy thoroughfare, but also a strip burgeoning with signage. So when it came to developing a prominent corner site, the architects, Room 11, together with developers Zero Nine, took a different approach. See the latest apartment project with Developer Zero Nine here. Architectural Walling Solutions in Concrete. Who should be there? What does the seminar cover?
The seminar is split into two sessions. The first minute session includes an overview of the planning, specification and construction steps necessary to achieve high quality concrete finishes. It will also cover how to manage expectations and outcomes of in-situ concrete works. The second 40 min session looks at concrete walling form an architectural perspective and focus around case study of the award winning Glenorchy Art and Sculpture Park GASP!
It will look at the challenging and rewarding aspects of designing with concrete and how the built form relates to the surrounding landscape. Project with Room 11 Architects. The main pathway, initiated in Stage One, has now been extended to sweep out to a river promontory. Long concrete walls with huge coloured glass inserts frame the pavilion, which then cantilevers heroically out over the river. The rose-coloured glass wall and yellow glazed roof panels transform the building into an artwork in its own right, encouraging visitors to reconsider the familiar landscapes they are looking at.
The pavilion frames a courtyard salvaged from former industrial uses and connects to a superb new amenities block and ferry wharf.
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Past uses have been carefully celebrated and engage with the new work through subtle plantings and striking new screen walls. Listen here! July 23 — Aug 3 Drinks Friday Aug 1 6 — 8pm. SITUATION brings attention to the designing of interiors as a practice engaged in spatial and temporal production; a practice that works in the midst of social, cultural, historical, political forces; a practice open to contingency, chance and change; a practice engaged with singularity and specificity. SITUATION highlights ideas of event and the eventful nature of interiors, lived space-time compositions in constant change; atmospheric compositions as distinct from artifacts; ephemerality; uniqueness; one-offs; a multiplicity of experience.
Minimal digital manifestations of light and sound are generated through an intensely raw and textural interface, combining algorithms with rubble; code mixes with dust. The questions lie in a future experience where materials can map, interpret and translate their surrounds and those that interact with them. The work begins by providing a landscape of urban dissonance where personalities in materials are born from use. At play is an opportunity for an audience to develop a sympathetic partnership with their environment; from a destabilised ground plane to a subtly shifting light and soundscape.
Particular experiences are triggered through the movement and pace of the user. Calm movements trigger a subtle compositional shift; however, if a person moves aggressively through the space, their actions will trigger a more dramatic change in their environment — a disturbance, an evolution, and a level of resistance.
In this back and forth engagement of user and space, the work will regulate itself and aim to then adapt its users through artificial means. The intensity should build. An overbalance should be stated. Materials and technology produce a situation where discord and balance can be achieved through a learned approach that morphs and adjusts over time.
An attempt is made here to locate a person within an elsewhere site and to generate a situation that short-circuits the traditional signifiers of past and future, and offers, perhaps for at least a short time, a moment of suspended affect; an activated and open present.
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A narrative is there that speaks of dust having memory, of rubble having intelligence, and of reification becoming standard, whereby the experienced perception contains more explicit spatial information than the sensory stimulus on which it is based. References i Barakin, A. Cambridge: MIT Press, Marcus runs Shogun Lodge Services, which offers technical support to artists and events, and is also a co-founder of the Sabbatical Records label.
More here. Many architectural types fall into this category: from educational space to architectural folly, from bar to belvedere. Among the best known in the world there is the temporary Pavilion outside the entrance to the Serpentine Gallery in Kensington Gardens. Artist Studio in Franklin, Tasmania. Glazing being installed. GASP demonstrates a clever understanding of landscape and scale. The colourful, shimmering line reads effectively at multiple scales — seen at a distance across the water from MONA , in motion from a car speeding along the arterial road, and ambling along on foot or bicycle.
GASP brings a fresh perspective to this part of the city, linking it into broader urban networks connecting, for example, to the inner-city cycleway , while also re-establishing the area as a destination in its own right. The path itself is built in a robust, straightforward manner, but the clever use of colour lifts it far above the everyday. These vibrant, shifting tones work surprisingly well with the natural environment and are tempered through the use of natural timber surfaces within the pavilions.
See our award online with the other National winners here. Listen to ABC interview here. Colour and architecture have been used as a vehicle for re-evaluation and re-appreciation of place, creating unity between the bay and the experience. See it online here. We enjoyed hosting NAM in November —.
Once quaint Hobart has been recast as a small but modern city in the past two years. A concrete pavilion, it serves as both a ferry terminal servicing MONA and a stop-off point for those who prefer to cycle to the gallery along GASP 1 — a 4k-long wooden boardwalk and pathway. Read more. Build it and they will come. Or will they? Belinda Jackson rounds up the best newcomers on the architecture scene. Or miss the Blue Mosque when in Istanbul? During November, Room11 are updating our website each day with new and old projects. Drop by and see the updates.
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Affirmative Architecture has been conceived as an annual event that seeks to define an emergent trend amongst young architects and designers to re-engage with the ability of architecture and the design process to make life better. Consisting of a symposium and associated exhibition it draws together international and Australian architects who have demonstrated commitment to a social agenda and have made significant contribution to the public realm. In a contemporary context, these practitioners have a positive consideration of social engagement, careful analysis of existing conditions and a deliberate, often challenging architectural response.
Curated as a series of interactive lectures and panel discussions the speakers describe their predominately built work and real projects that address real problems. The event has demonstrated a real concern for the role of the architect in society and a driver of cultural and developmental change.
The critical question here is what contribution architects and architecture can make in each situation and how might their research, strategies and skills make a real difference to everyday life. Event Poster. To RSVP on eventbrite click here.
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It provided a platform for new architects to present their story, vision and design processes and sensibilities in a casual, environment in front of peers and enthusiasts alike. On one hand it provides exposure to a particular vibrant aspect of the local industry as well as building connections and networks between architects, designers, architectural publishers and journalists, and the like. One of the running themes of NA M is a referrals process that brings more established and acclaimed architectural practices in contact with young unknown firms in order for potential clients that cannot be accommodated by the more established practices to channel these opportunities to the NAs.
Each of these gatherings are held about times a year in a various locations around Melbourne. Up til today, NA M is not officially affiliated with any established organisations or institutions and runs without financial sponsorship. It is reliant on the contributions of everyone that is passionate and generous with their time, energy with their presentations and hosting. NA M are interested in following and partaking in the journey of people as they embark upon one of the most exhilarating, terrifying, exhausting and rewarding endeavours an architect could ever make.
Their own practice. NA M hopes to continue over an extended period of time to see through the development of practices even to the point of seeing a giving back of support, mentoring and knowledge to the next generation of new architects. We are excited to be able to part of raising the confidence, competence, skill and profile of architects that all have talent and heart to make valuable contributions to our built environment and therefore our community. Utilising the steel fabrication skill sets of the container company, Room11 take the regular claustrophobic shipping container site office and transform it into a spacious light filled internal oasis.
Positioned next to a major road in an industrial area with the constant drone of semi trailers, the office is internalised, the gardens bringing light and tranquility to an otherwise loud and hectic industrial intersection. Sixty projects have been shortlisted in the National Architecture Awards, with education and science-based buildings dominating the public category.
Gasp Stage 1 featured in Domus — read the article. Room11 hobart is relocating to a shop front in Macquarie st south hobart. Alongside being able to watch live architects in action from the pavement- Keep your eye out for events , gallery openings, guest talks, jumble sales, thought provoking magazines and tomes and Friday night drinks.
Drop in and say hello and talk to us about your next project? Room11 are part of the team shortlisted for the Flinders Street Station Competition. Voting takes place online from 23 July to the 5 August at www. Our design conceives the station as an ensemble, each part precisely considerate of its place in the city. The theatrical nature of the station is amplified by the stitching of city to river.
Landscape, bridges and vaults are the threads. Rather than a classic European end of the line station with a grand internalised hall, the approach has been to focus on the urban edges — the interfaces with the city. The station is not an oasis, separate from the city. Our design emphasises great public spaces at the four edges of the station. A grand bustling station plaza opposite Federation Square is sheltered by the edge of a new design museum. A new park at the west end leaps across the train lines weaving together the bridges over the Yarra River into the greater fabric of the city.